Vietnam: What are the sample analyses of the last stanza of the Poem "Tràng Giang" for 11th-grade students? What are the cases where schooling of upper secondary school student could be at older ages?

Huy Can's poetry carries much sadness about landscapes and worldly matters. The sorrow of people about their homeland and country. The poem "Tràng Giang" is where the author expresses many emotions towards his homeland and country. The last stanza in the poem reveals the poet's melancholy and the world's.

The first three stanzas use the technique of "description of scenery to express feelings," describing the lowly people. In the last stanza, he blends his solitude with homesickness, elevating nature to older levels.

“Layer upon layer, high clouds pile up silver mountains,

Bird tilts small wings as evening descends.”

“Lớp lớp mây cao đùn núi bạc,

Chim nghiêng cánh nhỏ bóng chiều sa”.

“Layer upon layer, high clouds pile up silver mountains” seems simple but overwhelms the reader. They are overwhelmed by the mountain cloud image here. “Layer upon layer” is an iteration that gives the feeling of clouds thickening, with the mountains having a mystical silver color. In this line, the author also draws inspiration from Du Fu’s poetry.

Words like "pile up" and "layer upon layer" make the space seem vast. This makes the lyrical character, solitary, appear even smaller before the vast nature. This imagery also allows readers to relate to the poet's internal sadness, stacked layer by layer.

“The heart of the homeland quivers like a distant water,

Without sunset smoke, still remembers home.”

“Lòng quê dợn dợn vời con nước

Không khói hoàng hôn cũng nhớ nhà”.

Amid vast, expansive natural space, the image of a small bird emerges. The last two lines express the poet's deep homesickness. “Quiver” is a unique word created by him. The two heavy tones in the word convey the poet's despair. It resembles a wave of sadness in the poet's heart.

The last line in "Tràng Giang" is inspired by Thoi Hieu's poetry. For the poet, love for the homeland and country is always present, needing no catalyst.

Huy Can’s poetry contains much sadness about landscapes and worldly matters. This sorrow relates to people, their fates, and their homeland and country. The poem "Tràng Giang" is a place where the author conveys many personal feelings towards his homeland, and country. The last stanza particularly shows the poet's melancholy and the world's.

In the first three stanzas, the author uses "scenery description to convey feelings" to depict the humble people, then in the last stanza, he merges his solitude with homesickness to a broader, more grandiose natural layer: Layer upon layer, high clouds pile up silver mountains.

A seemingly simple line but overwhelms readers with the mountain cloud image. The iterated words "layer upon layer" make clouds feel thicker, with a mystical silver mountain hue. Huy Can also draws inspiration from Du Fu in his poem.

The phrases "pile up" and "layer upon layer" expand and elevate the space vastly. This makes the lyrical character already solitary appear even smaller against nature. The mountain cloud imagery of Huy Can also leads readers to relate to the sorrow in Huy Can’s heart, stacked layer upon layer, reflecting the author’s own sorrowful state.

Amid the great, expansive natural space, there is a small bird: A bird tilts its small wings: evening descends. In Huy Can's poetry, the bird is not truly still, but it is fluttering and tilting its wings in endless natural space.

The last two lines reveal Huy Can's loneliness and extraordinary longing for home:

“The heart of the homeland quivers like a distant water,

Without sunset smoke, still remembers home.”

“Lòng quê dợn dợn vời con nước

Không khói hoàng hôn cũng nhớ nhà”.

"Quiver," a unique word in Huy Can’s poetry, was his creation. The two heavy tones convey the poet’s descent into despair. The word "quiver" resembles rippling waves of sadness within the poet's heart.

The last line of "Tràng Giang" is based on Thoi Hieu’s poetry from the Yellow Crane Tower: On the river, smoke waves saddened one's heart. Thoi Hieu remembered home upon seeing the smoke and waves, while Huy Can expands the thought to “Without sunset smoke, still remembers home,” showing that love for the homeland and country is always present, needing no external catalyst.

In "Tràng Giang", the last stanza especially reflects the gloom, expressing the author's sorrow and homesickness towards his homeland. Through the poem, the author wishes life to become meaningful and beautiful.