Vietnam: What is the sample research report on a traditional Vietnamese cultural matter - Bac Ninh's Quan Ho folk songs?
What is the sample research report on a traditional Vietnamese cultural matter - Bac Ninh's Quan Ho folk songs?
Bac Ninh's Quan Ho folk songs, a unique form of traditional Vietnamese art, are not only a source of pride for the people of Kinh Bac but have also been recognized by UNESCO as an Intangible Cultural Heritage of Humanity.
Students can refer to the following sample research report on a traditional Vietnamese cultural matter - Bac Ninh's Quan Ho folk songs:
| 1. Introduction a. Reason for choosing the topic: “Do you return to my Kinh Bac hometown, to listen to Quan Ho and visit craft villages The Cau River reflects the moon’s promise, people who leave or stay, who they return to...” These sweet and earnest lyrics are Bac Ninh's Quan Ho folk songs. The Quan Ho folk song melody has long become a cultural beauty in the spiritual life of the people of Bac Ninh in particular and Vietnamese in general. At the fourth session of the Intergovernmental Committee of the UNESCO Convention for the Protection of the Intangible Cultural Heritage on September 30, 2009, Quan Ho folk songs were recognized as intangible cultural heritage, following Hue Court Music, Gong Culture of the Central Highlands, and Ca Tru. This indicates that Quan Ho folk songs play an important role in preserving and promoting the traditional cultural values of the nation. Currently, Quan Ho folk songs appear in many places across the country, but most notably in Bac Ninh. Almost every village in Bac Ninh has places for Quan Ho singing activities. However, the first cradle of Quan Ho originated from Diem Village, also known as Viem Xa Village, in Hoa Long Ward, Bac Ninh City. This is where the Ancestor of Quan Ho appeared and taught the lyrics to everyone. Over the years, Quan Ho has not only maintained its traditional singing style but has also developed many new, rich, and diverse forms. Currently, there are numerous research articles and assessments from leading researchers on Quan Ho folk songs. In this article, we will focus on researching Quan Ho in the contemporary cultural space of Diem Village. b. Research purpose of the topic: To explore Quan Ho folk songs in Diem Village, Hoa Long Ward, Bac Ninh City, to discover the uniqueness, distinctiveness, and special characteristics of Quan Ho in the cultural space of Diem Village. c. Research methods: The research uses comparative, analysis, and synthesis methods. 2. Content: a. An overview of Bac Ninh's Quan Ho: Unlike other performative arts forms, Bac Ninh's Quan Ho folk songs are renowned for their sweet, clear, smooth, and earnest melodies. To date, there is no document precisely recording the time of the birth of this melody. Some suggest Quan Ho first appeared in the 11th century, while others say the 17th century. Regardless of the time, Quan Ho is still considered a means of preserving the soul and essence of Kinh Bac culture. Over thousands of years, Quan Ho has evolved and expanded. We can classify it into traditional Quan Ho and new Quan Ho. First, traditional Quan Ho is the original form of Quan Ho singing. It exists only in the 49 original Quan Ho villages of Kinh Bac. Traditional Quan Ho requires singers to understand the rules and singing styles. At that time, people did not call it "singing Quan Ho" but "playing Quan Ho," considering it a refined, elegant pastime. Traditional Quan Ho lacks instrumental accompaniment and primarily involves the exchanges between male and female singers during the "spring and autumn periods." Unlike traditional Quan Ho, new Quan Ho has undergone some modifications. The forms of performance have become more diverse, including solo singing, duo singing, group singing, singing with accompanying dance, etc. As of 2016, a total of 67 Quan Ho villages have been listed for preservation and development, with 44 of them located in Bac Ninh Province. b. The land and people of Diem Village: Diem Village, located in Hoa Long Ward, retains many cultural beauties of the Kinh Bac homeland. Growing up in the birthplace of Quan Ho, the people are sweet and gentle. From their conduct, speech, and movement, Diem villagers exude simplicity and gentleness. They are kind, genuine, and particularly hospitable, as reflected in the Quan Ho songs we have heard: “When guests arrive, we sing When guests drink tea, we serve” or “Oh dear, don’t go...” The people of the Quan Ho region seem to embody a sentimental quality—a sweetness akin to the lyrics. Not only during performances are the male and female singers graceful, but this grace is also apparent in their daily lives. It is a charm passed down from generation to generation, making Quan Ho so tender and smooth. c. Quan Ho folk songs in the cultural space of Diem Village - Hoa Long Ward - Bac Ninh City - Bac Ninh Province: Placing Quan Ho folk songs in the cultural space of Diem Village allows us to see the uniqueness and allure of the Quan Ho melodies here. In the past, due to travel limitations, interaction between Diem and other villages faced many challenges. Therefore, the singing style in Diem differs and is more "ancient" compared to other places. The male and female singers often use a slow, leisurely singing style with fewer fast-tempo songs. Consequently, ornamental notes or accompanying sounds in the lyrics like "Doong oi a to tang," "Doong tang tet, tet tang," "tinh tenh"... are also moderated. Certain songs like "Boc Thu" (Unsealing the Letter), "Tinh Thu" (Love Letter)," "Bong Giang Loan," (Loosely Gauzy Shadow) and "An o Trong Rung" (Living in the Forest) are not split into verses in Diem. Mentioning Diem Village Quan Ho, one cannot overlook the four main pillars or veteran artists of Diem Village Quan Ho: Ngô Thi Nhi, Trần Thi Phung, Nguyen Thi Ban, and Ngo Thi Lich. They are long-established artists, mastering hundreds of ancient Quan Ho tunes, and have been honored with the title of Meritorious Artist by the state. Here, each spring, festival day, or full moon day is the day for the village’s Quan Ho club meeting. Often, there’s no need for instrumental accompaniment—the very exchanges carry a melodious tone. Each melody is like pouring into the listener's soul, thanks to the drawn-out notes: "Hu la, hu la a la.. my dear oh ah, whoo hmmm." Particularly, the villagers, as well as the local authorities and levels, are very focused on preserving and protecting Quan Ho folk songs. At Hoa Long Primary School, besides cultivating, and practicing skills, knowledge, the school has included Quan Ho in teaching as a subject in extracurricular lessons. This is a practical activity to nurture affection, kindness, and loyalty in students. From this, it helps students develop a good character, ethics, and a love for their homeland and country. To preserve and protect Quan Ho folk songs and develop tourism, the government has constructed the Bac Ninh's Quan Ho Folk Theater. The project covers an area of 19,400 square meters, with a budget exceeding 178 billion VND. This shows the attention and close care of the people and the authorities towards Quan Ho folk songs. This place promises to be an attractive tourist destination. At the same time, it motivates each artist to continuously strive for creativity and contributions to the art. Although society develops, the cultural and spiritual values of Diem Village Quan Ho are still preserved and promoted. The earnest, meaningful Quan Ho singing of the male and female singers continues to captivate countless visitors from far and wide. This is the attraction and allure of the Quan Ho homeland. 3. Conclusion: Each Quan Ho village carries its unique characteristics, but if you've listened to Quan Ho, you cannot overlook the melodies of Diem Village. The smooth, earnest folk songs are a cultural beauty with a significant influence on the cultural space of Diem Village. Quan Ho is not only a source of pride for the people of Diem Village but also for all Vietnamese people. We must strive and make efforts to preserve and promote traditional cultural values like Diem Village Quan Ho folk songs. |
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What is the sample research report on a traditional Vietnamese cultural matter - Bac Ninh's Quan Ho folk songs? (Image from Internet)
What is the calculation of the GPAs of cultural subjects in vocational education and training institutions at the upper secondary level in Vietnam?
Under Clause 6, Article 10 of Circular 15/2022/TT-BGDDT, the GPAs of cultural subjects in vocational education and training institutions at the upper secondary level in Vietnam are calculated using the following formula:
Where:
The grade point average of the subject (GPA) is the average obtained by dividing the total number of regular and periodical assessment points.
TDDGtx: total regular assessment points
TDDGtx: total periodic assessment points
What are the regulations on periodic assessment for students in the vocational education and training institutions at the upper secondary level in Vietnam?
Under Clause 3, Article 10 of Circular 15/2022/TT-BGDDT, the periodic assessment for students in the vocational education and training institutions at the upper secondary level in Vietnam is regulated as follows:
- Periodic assessment shall base on points of periodic examinations.
+ Examination period of a subject having 168 periods from 45 minutes to 60 minutes; for a 252-hour course from 60 minutes to 90 minutes.
+ Exam questions must be reliable, have answers, marking criteria and detailed scale, and meet the requirements of the examination and assessment contents.
- In each semester, each subject must have 01 (one) periodic assessment point (abbreviated to “DDGdk”).
