Vietnam: What are the guidelines for comparison of the imagery of the bowl of onion porridge in the work "Chí Phèo" and the bran porridge in the work "Vợ nhặt"? What are the 03 academic topics in the 12th-grade Literature curriculum?

What are the guidelines for comparison of the imagery of the bowl of onion porridge in the work "Chí Phèo" and the bran porridge in the work "Vợ nhặt"? What are the 03 academic topics in the 12th-grade Literature curriculum in Vietnam?

What are the guidelines for comparison of the imagery of the bowl of onion porridge in the work "Chí Phèo" and the bran porridge in the work "Vợ nhặt"?

The imagery of the bowl of onion porridge in the work "Chí Phèo" and the bran porridge in the work "Vợ nhặt", though both appearing in impoverished contexts, each carries distinct significance. The bowl of onion porridge is associated with rescue and compassion, whereas bran porridge symbolizes poverty but also represents hope and life amidst hardship. Both dishes reflect the fates and relationships within society at the time, highlighting the themes of human kindness and hope.

The comparison of the imagery of the bowl of onion porridge in the work "Chí Phèo" and the bran porridge in the work "Vợ nhặt" is practiced in the 12th-grade Literature curriculum.

Students may refer to the following sample comparison of the imagery of the bowl of onion porridge in the work "Chí Phèo" and the bran porridge in the work "Vợ nhặt":

Compare the Imagery of the bowl of onion porridge in the work "Chí Phèo" and the bran porridge in the work "Vợ nhặt"

In Vietnamese literature, the imagery of the bowl of onion porridge in the work "Chí Phèo" and the bran porridge in the work "Vợ nhặt" are two familiar symbols, but they carry different meanings and values, reflecting circumstances, fates, and relationships within each work.

1. Imagery of the bowl of onion porridge in the work "Chí Phèo" by Nam Cao

Work: Chi Pheo (1936) is a famous work by the writer Nam Cao, describing the life of farmers in the old society, with the main character being Chi Pheo—a person pushed to the edge of despair by society, becoming a delinquent.

Context: The bowl of onion porridge appears as Chi Pheo wakes up after a night of heavy drinking and meets Thi No—a poor, illiterate woman living in destitution. Thi No brings the bowl of onion porridge to Chi Pheo, with compassion but also as a gesture of care from a fellow sufferer.

Significance:

Symbol of compassion, empathy: The simple and familiar imagery of the bowl of onion porridge represents the care Thi No shows Chi Pheo, a humanitarian act among those scorned by society.

Symbol of rescue, hope: When Chi Pheo wakes up and sees the bowl of onion porridge, he has a moment of reconnecting with his true self, sensing tenderness and love in a life full of hardships. The bowl of onion porridge is like a drop of water in the desert, bringing hope to the character Chi Pheo.

Potential to change fate: Despite being just a small bowl of onion porridge, it carries a hope of salvation for Chi Pheo. It's a moment for him to feel human kindness and potentially return to being a good person.

2. Imagery of the bran porridge in the work "Vợ nhặt" by Kim Lan

Work: Vo Nhat (1955) is a renowned work by writer Kim Lan, reflecting the poverty of farmers during the famine of 1945. The main character is Trang—a poor young man living amidst hunger and scarcity, who "picks up" a wife despite having nothing but a precarious life.

Context: bran porridge appears when Trang brings home a wife, a girl named Vi whom he "picked up." Though Trang’s family is poor, with only a bowl of bran porridge for a meal, Vi remains cheerful and accepts the impoverished life.

Significance:

Symbol of poverty, misery: bran porridge is a dish born out of poverty, not one of care or affection. It’s a symbol representing the dire circumstances of characters Trang and Vi, poor farmers in contemporary society.

Symbol of acceptance, hope, and life: Even though it's just bran porridge, a dish without material value, in a hopeless circumstance, it still signifies life, the continuation of life. Notably, Vi doesn't react negatively but instead accepts the impoverished fate, helping Trang to trust in a new life, in a future, even though dark, but still with the presence of love and family.

Sharing in poverty: Though just bran porridge, it shows the sharing between Trang and Vi in extreme conditions. It’s an image of love and hope amidst poverty.

3. Overall Comparison

Form:

The bowl of onion porridge in Chi Pheo is simple, conveying care, rescue from humanity.

The bowl of bran porridge in Vo Nhat is a dish of poverty and lack but still contains hope and life.

Significance:

The bowl of onion porridge is associated with change and hope in Chi Pheo's life. It’s an image of compassion in poverty.

Bran porridge symbolizes acceptance of poverty, but there is still life, hope, showing love even in dire circumstances.

Feelings and relationships:

In Chi Pheo, the bowl of onion porridge represents Thi No's affection for Chi Pheo, a care that changes him.

In Vo Nhat, bran porridge shows acceptance of poverty but still has empathy, sharing between Trang and Vi.

*Note: The information is for reference only./.

Comparing the Imagery of the Bowl of Onion Porridge in Chi Pheo and the Bran Porridge in Vo Nhat?

What are the guidelines for comparison of the imagery of the bowl of onion porridge in the work "Chí Phèo" and the bran porridge in the work "Vợ nhặt"? What are the 03 academic topics in the 12th-grade Literature curriculum in Vietnam? (Image from Internet)

What are the 03 academic topics in the 12th-grade Literature curriculum in Vietnam?

Under Section 4 of the General Education Program for Literature issued with Circular 32/2018/TT-BGDDT, the 03 academic topics in the 12th-grade Literature curriculum in Vietnam are as follows:

Topic 12.1. RESEARCHING AND REPORT WRITING ON A MODERN AND POSTMODERN LITERARY MATTER

- Understand the requirements and methods of researching a matter.

- Know how to write a research report.

- Understand and apply some understandings from the Topic to comprehend and write about modern and postmodern literature.

- Know how to present an issue on modern and postmodern literature that they have researched.

Topic 12.2. EXPLORING A WORK OF ART ADAPTED FROM LITERATURE

- Understand what it means to adapt a literary work.

- Know how to explore, introduce, and present on a work of art adapted from literature.

- State the idea and procedure for adapting a literary work.

Topic 12.3. EXPLORING THE CREATIVE STYLE OF A LITERARY MOVEMENT: CLASSICAL, REALISM, OR ROMANTICISM

- Recognize the creative style of a literary school (movement) through some basic characteristics.

- Know the requirements and methods for exploring the creative style of a literary school.

- Know how to write an introduction about the creative style of a literary school.

- Apply understandings from the Topic to explore the creative style of other literary schools.

- Know how to present the creative style of a literary school.

What are the orientations in teaching methods for the 12th-grade Literature curriculum in Vietnam?

Under Section 6 in the Appendix to the General Education Program in Literature issued with Circular 32/2018/TT-BGDDT, the orientations in teaching methods for the 12th-grade Literature curriculum in Vietnam are as follows:

The Literature curriculum utilizes education methods oriented toward integrated and differentiated teaching; diversifying teaching methods, means, and organizational forms; promoting active, proactive, and creative learning, and applying the knowledge and skills of students.

- Based on the program, teachers proactively and flexibly build and organize lessons according to the following orientations:

+ Implement intra-disciplinary integration requirements (both knowledge and skills), interdisciplinary integration, and integrate priority education content (cross-disciplinary); implement differentiated teaching according to student subjects at all levels and differentiation contributing to career orientation in high school education.

+ Train students in methods of reading, writing, speaking, and listening; practice, experience in receiving and applying knowledge of the Vietnamese language and literature through learning activities in and out of the classroom; focus on using teaching means, overcoming the traditional reading and copying teaching style, developing thinking, training skillful use of means for students.

+ Enhance and promote student activeness and self-reliance; allocate ample time for students to study textbooks and learning materials, practice, conduct presentations, discussions, and defend learning results to enable students to read, write, speak, and listen according to varying demands and levels; assess and evaluate student task fulfillment in their learning tasks.

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